CAIRO, Egypt February 8, 2014 – As the Egyptians prepared for the January referendum in order to ratify the new constitution designed to replace the controversial constitution of 2012, young artists prepared a powerful improvisational theatrical experience.
Mazen El Gharabawey is a not only young, he is the only young artist to receive the state prize during the last 30 years for his play “We will write a new constitution.” Gharabawey bravely decided to stage the drama about the sensitive issue of writing a new constitution in one of the Ministry of Culture’s theaters.
El Gharabawey belongs to the generation of artist who participated in the January 25th, 2011 as well as the June 30th revolution. He was among the Tahrir square youth whose main concern was a better future for their country. The dilemma of drafting a new constitution inspired El Gharabawey to select his cast of 14 actors, some of them amateurs, in order to enhance the technique of improvisation which will empower the credibility of the theme.
The drama’s nine scenes are each based on one of the nine core articles of the Egyptian constitution.
At the end of the play, a questionnaire was distributed among the audience asking what they felt the form of a new constitution should be:
- A written or unwritten constitution;
- An objective or a formal one;
- A rigid or a flexible one.
The nine articles, or scenes, of the play were themed:
- Begin with yourself.
- Your work is more credible than your swearing.
- No sexual harassment.
- Live with dignity.
- Your voice as a woman is freedom and revolution.
- The right of self -expression and innovation.
- The soverenity of the people.
- Was an interactive scene between the actors and the audience.
- Fulfill your dream.
The scenography of the play was powerful with the several pages, each representing excerpts from the constitution, scattered around the stage.
Critics lauded the idea of the play, calling it “brilliant,” saying young people need to demand a new constitution that can represent the future of their country.
The play explains very powerfully what Egypt’s constitution should be.
When El Gharabawey was asked about the future of the theater after the Arab spring and his role as an artist he said: “I was challenged as a young artist when I read the complicated articles of a constitution and hence I wondered how I can explain it to an average Egyptian in a humanitarian simple method rather than a rigid form of laws”.
El Gharabawey added that after two revolutions, it became the right of an artist to interact with people. “Theater will flourish even more as it has a very powerful message and a duty towards the society.”Click here for reuse options!
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