Traveling Cirque du Soleil extravaganza “Varekai” takes the hapless Icarus and his wings on a journey of re-imagination never before revealed in ancient mythologies.
FAIRFAX, Virginia, July 23, 2015 – “Varekai,” one of Montreal-based Cirque du Soleil’s traveling extravaganzas, opened Wednesday evening, July 22 at George Mason University’s newly-christened EagleBank Arena, the venue formerly known as the Patriot Center. Based on the ancient Greek myth of Icarus, the performing troupe’s current show takes this well-known character on a magical journey of redemption and renewal.
For those not familiar with Cirque du Soleil, this wide-ranging entertainment company began to take shape in Quebec in 1979-1980 when its founder, Guy Laliberté decided to try his hand at totally transforming the art of the circus performer into something totally new and different.
After the usual early struggles and failures, Laliberté and his associates were able to obtain funding from the Canadian government as well as the Quebec provincial government to support these efforts, ultimately resulting in the creation of what is now acknowledged as the largest theatrical production company in the world.
The evolving troupe eventually perfected its currently successful format, re-creating the circus as a single, continuous performance event that unfolded like an impressionistic story or play. True, while eliminating live animal acts, this arguably new art form still revolved around traditional circus performers and dancers. But now, the entire performing company would take part in a single narrative, supported by yet another innovation: original music composed expressly for each new show.
The title “Varekai,” the show currently being performed at the EagleBank Arena, is the Romanian-gypsy word for “wherever.” “Varekai” transports us to a fantastic world of creatures and characters that live on and around a still-active volcano that reminds us of its presence by frequently belching steam and smoke when we—and the inhabitants—least expect it.
Into this world suddenly drops the hapless Icarus, whose elaborately constructed wings have melted—a result of his pride and exuberance as he ignored his father Daedalus’ warning not to get too close to the sun. Badly injured and apparently near death, he is tended to by the volcano’s inhabitants and restored to health. But he is now crippled and no longer has use of his legs.
Throughout the remainder of the show, characters like “The Guide” and “The Skywatcher,” a kind of mad scientist, introduce Icarus to various performers performing feats meant to encourage him to rebuild his life anew and try once again to live in their strange land with wisdom and honor. A key point in his rehabilitation he witness an acrobatic dance performed by one of the mountain creatures entirely on a pair of stylized crutches. Inspired at last, he begins to walk again and ultimately win a different kind of happiness with a welcoming acrobat and balancing artist who becomes “The Betrothed.”
Cirque du Soleil story lines typically follow one or more characters on their journey of discovery, and “Varekai” is no exception. What makes the show distinct, however, are the increasing athleticism of each successive act, most of which are performed against the backdrop of a live-performed musical score that strongly emphasizes the Middle Eastern and Eastern European gypsy sensibilities of both the storyline and the characters.
Acts run the gamut, from Icarus’ own, chrysalis-like aerial dance, to acrobats who leap, roll and bounce to the rhythm of the show’s pulsating score, to delicate balancing and trapeze acts to a thrilling grand finale that features a troupe of brightly-clad Russian acrobats who fly high in the air, propelled upward by partners who launch them from a pair of wildly oscillating giant swings.
(Below: We took this short video of the Russian acrobats in rehearsal during a backstage press tour the afternoon of July 22. This brief clip gives you a birds’ eye view of the height these powerful athletes can achieve once launched in the air by their partners.)
Lest we forget this is a circus, though, the story line and acts are frequently interrupted by a few eccentric characters and a pair of clowns—one male, one female—who successfully make a mess of everything they undertake and who occasionally wander into the front-row seats to spill popcorn and annoy the audience members seated there. It’s all in good fun, of course, and the little ones in particular enjoy these comic interludes most of all.
The show’s spectacular Russian finale completes Icarus’ transformation from callow youth to wiser adult, which finally wins for him a beautiful bride as “Varekai” draws to its colorful and uplifting close.
While Cirque du Soleil’s famous, long-running Las Vegas spectaculars are considerably more elaborate (and more expensive!) than their traveling shows like “Varekai,” these traveling shows are more “up close and personal,” making them considerably more accessible to families with young tykes who want their kids to enjoy the thrill of bright and colorful circus performers in live performance.
Cirque du Soleil consistently hires the best circus artists from around the world for all their shows, and “Varekai” is no exception. From those athletic Russians to the most dazzling baton twirler-jugglers you’ve ever seen, the color and the pageantry of “Varekai” is an easily accessible multimedia show the whole family can enjoy. And for Northern Virginia residents in particular, the venue—and the free parking—are close to home.
Rating: *** ½ (Three and one-half out of four stars)
Cirque du Soleil’s “Varekai” continues at EagleBank Arena (formerly the Patriot Center) on the campus of George Mason University in Fairfax, Virginia through July 26. Remaining dates and times:
Friday, July 24 at 4pm and 7:30pm
Saturday, July 25 at 4pm and 7:30pm
Sunday, July 26 at 1:30pm and 5pm
For tickets and information, including pricing and seats, visit Cirque du Soleil’s “Varekai” page here.
Note: Try to arrive a bit earlier than usual as what appears to be a large university construction project is currently blocking one major access route to the Arena. Best way to enter currently appears to be via Braddock Road.
Click here for reuse options!
Copyright 2015 Communities Digital News
This article is the copyrighted property of the writer and Communities Digital News, LLC. Written permission must be obtained before reprint in online or print media. REPRINTING CONTENT WITHOUT PERMISSION AND/OR PAYMENT IS THEFT AND PUNISHABLE BY LAW.
Correspondingly, Communities Digital News, LLC uses its best efforts to operate in accordance with the Fair Use Doctrine under US Copyright Law and always tries to provide proper attribution. If you have reason to believe that any written material or image has been innocently infringed, please bring it to the immediate attention of CDN via the e-mail address or phone number listed on the Contact page so that it can be resolved expeditiously.